Four Eyes

I’ve been wearing glasses since I was 6 years old. I remember my mom asking my brother to take me to my class on the first day of school and seating me closer to the front because I was having trouble seeing. Since then, I’ve gone through dozens of pairs of glasses. The 80s were a hideous time. Looking back to the 90s and the thin-wired frames make me shudder. The 2000s brought plastic rims and wire temple combos and thin plastic framing.

By the 2010s, a vintage renaissance seemed to have begun, and horned rim frames started coming back. Companies got innovative and metal was no longer restricted to tubular thin wires wrapped around a lens. It was flattened, widened, and flared. Those with smaller bridges could get the style, and benefit from the nose pad support. I was an eager customer. But as lovely as they are, after a few years comfortably flashing this look, I craved getting a pair plastic frames. I wanted the heft, the substantial luscious look. So a little over a year ago, I visited the eyeglass store and looked around.

Plucking a Kate Spade here, and slipping on pairs of the latest ProDesign frames there, a pair by Masunaga caught my eye. It was two-toned, a 50s corvette red that faded to a delicate cream. They were daring, sturdy, and forgive the pun, eye-catching. I worried that they’d be too daring. But at the time, I so very much wanted to live louder and more badass than I had been. So bought them, I did.

Here, I tried out some product photos of my eyewear. The selfies are from the archives, modeling each pair.

Legre, 2011
I loved these when I got them. A sold dark bronze color with those diamond cutouts on the edges of the prominent horns that reached out to the corners. I wore these at my wedding, against the opinion of many. But I insisted. My glasses are such a huge part of my identity, and as I’ve gotten older it’s been difficult keeping my eyes moist (that said, my tears on that day could have fixed that!)

ProDesign, 2013
The Legres proved pretty deep in lens height, so I went slimmer. These grey ProDesigns had a lovely matte finish. And the purple trim was a nice touch. With my very strong prescription, I had to actually go back and get high definition lenses that made the focus area wider than with regular high-index lenses. This made them lighter and thinner, and they looked like I wasn’t even wearing lenses.


Masunaga, 2015
What I wear now. I got my red luscious look going. I took the selfie right after i picked them up from the shop. I paid a little extra to get nose pad extensions (extra plastic) so they’d sit further from my face. What I like about that, is that the integrity of the style is retained, and the frames don’t look rigged. The case is gorgeous and is a great travel companion.


Last week I got a recorded reminder from my eye doctor alerting me that it’s time for my yearly eye exam. I will probably put it off a little longer. I’m really enjoying my little red corvette frames, and think I’ll wear them till the novelty rubs off – or my prescription changes.


The art of fashion in Mexico 1940-2015

Our trip to Mexico City was filled with art and culture. When others go to the beach to forget and relax, we travel to discover and learn about subjects new and different from our own. While wandering the streets, a banner ad for the exhibit El arte de la indumentaria y la moda en Mexico, 1940-2015 caught our eye. So we popped in. Admission was free to explore this lovely building, where there were two floors filled with beautiful dresses. They were stunning, traditional, historical, daring, of-their-decade, and just fascinating to study. Students of fashion were walking around with sketch pads and cameras studying each piece. One student seemed to be photographing the same ones I was interested in. I remember him making a comment to me in Spanish that we seemed to like the same styles.

Fashion is not something I really keep up with at all, but I appreciate the art and skill designers have to manifest their visions. I enjoy exploring different areas of art and creativity. Areas I couldn’t do because it just isn’t my natural talent. It helps me stay curious and grow in the kinds of visions I can have for my work.

My Online Store

I’ve been working on a project that I hope will help bring in a little extra money. I’ve joined a legion of other artists on Society6, where my work is available for sale in the form of prints, canvas art, tote bags, shower curtains, duvet covers, phone covers, tapestries, clocks, and more. The great thing is that they do all the production and shipping, and I simply upload my work. For every item sold I get some profit from it. I get a kick out of seeing my work transform into different shapes, sizes, and textures.

Feel free to share this link through your social media!



p.s. If there is something of mine that you like but don’t see it as an item for sale, just let me know and I’ll consider uploading it. Have fun shopping!

Hiring a Creative Monster

At the end of last year, when I decided to embark on the journey of doing photography as a full-time hobby with the hopes of making some money, I knew I’d need to find a way to promote my work and myself. And I’ll be the first to say that I’ve been dipping my toe into the ocean of uncertainty and pulling it out just as quickly when I got scared to make my next move, of any kind. But soon enough, I got that opportunity to hang my work at Wheelhouse Coffee and the rolling ball could not be stopped. Of all the things to be nervous about, I was nervous about having a business card I could have available for people to take. After all, the idea of showing work is about sharing your work with the general public in addition to getting your name out there and circulating. That’s the hope, anyway.

After trying to design my own brand, I quickly realized I needed professional help. First of all, I was going crazy with the blahness I was coming up with, and I was being stubborn about doing it myself. Second, I knew I wasn’t going to be entirely happy with what I’d come up with. I simply don’t immediately have the skills to pull this off. I also read somewhere that it’s okay to reach out, ask for help, and expect to pay some money for it.

I called on my good friend Michael Harring to help explore my identity and design a business card for me. It’s tough when the main thing you have to do is think about yourself. To help with a starting place, he walked me through some mood boards. He presented three boards and it was like looking at myself. Each one carried awesome elements I identified with and just loved. I could not have been more excited about the direction he was going with this. And without further ado, this is my very cool business card.

Mike suggested using different photographs of mine to print on the back – little samples and take-aways. I chose six of my favorites and he cropped and oriented them to fit and flatter. I could not be more happy with this result. It speaks to my personality and my aesthetic so well.

The entire process was like a dream. Maybe it’s because we’ve known each other for so long and I have complete trust in his sensibilities, work ethic, and his sincerity to make sure I was happy with the final product, but I would not hesitate to call on him for future work. And even though we’re friends, I offered to pay for his work, because he is a working artist, and working artists should be paid.

And with that, I will shamelessly plug his portfolio: He is indeed a Creative Monster.